Instagram reels as a medium of transcultural interaction: A netnographic study of wedding, humor, and diaspora family content
DOI:
https://doi.org/10.30998/jd.v13i3.2281Keywords:
Instagram Reels, transcultural interaction, netnography, cultural hybridity, digital cultureAbstract
In the context of globalization, cultural practices and ideologies are increasingly shaped through processes of borrowing, mixing, and remaking, resulting in new hybrid cultural forms. This article examines Instagram Reels as a medium of transcultural interaction by focusing on selected user-generated content related to wedding ceremonies, pre-wedding photo shoots, humor scenes, and slice-of-life narratives of diaspora families or international couples. Using a qualitative netnographic approach, the study selected 15 publicly accessible Reels and analyzed their visual elements, sound, narration, language use, symbolic references, and cultural markers. The findings show that Instagram Reels functions not only as a short-video platform for self-expression and entertainment, but also as a participatory space where local traditions, global popular culture, and everyday intercultural practices are remixed. Through these interactions, influencers and ordinary users produce hybrid cultural expressions that circulate beyond geographical and national boundaries. The study contributes to the understanding of digital platforms as fluid spaces of transcultural dialogue, where culture is continuously negotiated, reproduced, and recontextualized through user participation.
Downloads
References
Annur, C. M. (2021). Ada 91 Juta Pengguna Instagram di Indonesia, Mayoritas Usia Berapa? https://databoks.katadata.co.id/datapublish/2021/11/15/ada-91-juta-pengguna-instagram-di-indonesia-mayoritas-usia-berapa. Databoks
Annur, C. M. (2022). Capai Rp36 M Sekali Unggah, Inilah Influencer Instagram dengan Bayaran Termahal Dunia. https://databoks.katadata.co.id/datapublish/2022/09/21/capai-rp36-m-sekali-unggah-inilah-influencer-instagram-dengan-bayaran-termahal-dunia
Badham, M., & Mykkänen, M. (2022). A relational approach to how media engage with their audiences in social media. Media and Communication, 10(1), 54–65. https://doi.org/10.17645/mac.v10i1.4409
Baker, W. (2022). From intercultural to transcultural communication. Language and Intercultural Communication, 22(3), 280–293. https://doi.org/10.1080/14708477.2021.2001477
Bellentani, F., & Arkhipova, D. (2022). The built environment in social media: towards a biosemiotic spproach. Biosemiotics, 15(2), 193–213. https://doi.org/10.1007/s12304-022-09497-5
Bhandari, A., & Bimo, S. (2022). Why’s everyone on TikTok now? The algorithmized self and the future of self-making on social media. Social Media+Society, 8(1), 205630512210862. https://doi.org/10.1177/20563051221086241
Bhatia, A., Gaur, P. S., Zimba, O., Chatterjee, T., Nikiphorou, E., & Gupta, L. (2022). The untapped potential of Instagram to facilitate rheumatology academia. Clinical Rheumatology, 41(3), 861–867. https://doi.org/10.1007/s10067-021-05947-6
Bonilla-Del-río, M., Figuereo-Benítez, J. C., & García-Prieto, V. (2022). Influencers with physical disabilities on Instagram: Features, visibility and business collaboration. Profesional de La Informacion, 31(6), 1–17. https://doi.org/10.3145/epi.2022.nov.12
Boulianne, S., & Larsson, A. O. (2023). Engagement with candidate posts on Twitter, Instagram, and Facebook during the 2019 election. New Media & Society, 25(1), 119–140. https://doi.org/10.1177/14614448211009504
Chang, C. chen, Cheng, G. J. Y., Nghiem, T. P. Le, Song, X. P., Oh, R. R. Y., Richards, D. R., & Carrasco, L. R. (2020). Social media, nature, and life satisfaction: global evidence of the biophilia hypothesis. Scientific Reports, 10(1), 1–8. https://doi.org/10.1038/s41598-020-60902-w
Cohen, Y., & Lev-On, A. (2022). The Dormant Volcano: Social media and the temple mount, Jerusalem. Social Media + Society, 8(4), 205630512211387. https://doi.org/10.1177/20563051221138754
Cuesta-Valiño, P., Gutiérrez-Rodríguez, P., & Durán-Álamo, P. (2022). Why do people return to video platforms? Millennials and centennials on TikTok. Media and Communication, 10(1), 198–207. https://doi.org/10.17645/mac.v10i1.4737
Dowling, D. O., Johnson, P. R., & Ekdale, B. (2022). Hijacking journalism: legitimacy and metajournalistic discourse in right-wing podcasts. Media and Communication, 10(3), 17–27. https://doi.org/10.17645/mac.v10i3.5260
Dubovi, I., & Tabak, I. (2021). Interactions between emotional and cognitive engagement with science on YouTube. Public Understanding of Science, 30(6), 759–776. https://doi.org/10.1177/0963662521990848
Duffy, B. E., & Sawey, M. (2022). In/Visibility in social media work: the hidden labor behind the brands. Media and Communication, 10(1), 77–87. https://doi.org/10.17645/mac.v10i1.4460
Ferrer-Conill, R., Karlsson, M., Haim, M., Kammer, A., Elgesem, D., & Sjøvaag, H. (2023). Toward ‘Cultures of Engagement’? An exploratory comparison of engagement patterns on Facebook news posts. New Media & Society, 25(1), 95–118. https://doi.org/10.1177/14614448211009246
Frischlich, L. (2022). “Resistance!”: Collective action cues in conspiracy theory-endorsing Facebook groups. Media and Communication, 10(2), 130–143. https://doi.org/10.17645/mac.v10i2.5182
Gillett, R., Stardust, Z., & Burgess, J. (2022). Safety for whom? Investigating how platforms frame and perform safety and harm interventions. Social Media + Society, 8(4), 205630512211443. https://doi.org/10.1177/20563051221144315
Hamid, N. A., Rashid, S. M., Ishak, M. S., & Wulan, R. R. (2022). Effects of social media usage: The well-being and flourishing of housewives. Jurnal Komunikasi: Malaysian Journal of Communication, 38(1), 284–304. https://doi.org/10.17576/JKMJC-2022-3801-16
Ismail, I. R., Rashid, R. A., Ab Rashid, R., Singh, P. K. S., & Yushriman, Y. S. B. (2022). Challenges and intercultural adaptation among Japanese students to Malaysian culture: A case study. Jurnal Komunikasi: Malaysian Journal of Communication, 38(1), 162–178. https://doi.org/10.17576/JKMJC-2022-3801-09
Kasmani, M. F., Aziz, A. R. A., & Sawai, R. P. (2022). Self-disclosure on social media and its influence on the well-being of youth. Jurnal Komunikasi: Malaysian Journal of Communication, 38(3), 272–290. https://doi.org/10.17576/JKMJC-2022-3803-17
Kozinets, R. V. (2015). Netnography: Redefined. SAGE Publications.
Kreling, R., Meier, A., & Reinecke, L. (2022). Feeling Authentic on social media: subjective authenticity across Instagram stories and posts. Social Media + Society, 8(1), 205630512210862. https://doi.org/10.1177/20563051221086235
Kynigos, C., & Daskolia, M. (2021). Boundary crossing creativity in the design of digital resources for teaching and learning about climate change. Creativity, 8(1), 213–235. https://doi.org/10.2478/ctra-2021-0013
Laaksonen, S., Koivukoski, J., & Porttikivi, M. (2022). Clowning around a polarized issue: Rhetorical strategies and communicative outcomes of a political parody performance by Loldiers of Odin. New Media & Society, 24(8), 1912–1931. https://doi.org/10.1177/1461444821989621
Li, Y., & Sai, Q. (2020). The effects of language and religion on cross-border acquisition completion. Research in International Business and Finance, 54(June), 101294. https://doi.org/10.1016/j.ribaf.2020.101294
López-Rabadán, P. (2021). Framing studies evolution in the social media era. digital advancement and reorientation of the research agenda. Social Sciences, 11(1), 9. https://doi.org/10.3390/socsci11010009
Lowenstein-Barkai, H. (2022). “Write it down! I am an Arab”: The role of reader comments in the formation of networked counterpublics. New Media & Society. Advance online publication. https://doi.org/10.1177/14614448221101163
Martínez-Sanz, R., & Fernández, C. G. (2018). Brand communication on Instagram, a gender issue? The role the fashion influencer. Masculinities and Social Change, 7(3), 230–254. https://doi.org/10.17583/mcs.2018.3693
Novianti, E., Susilawati, E. A., Sesunan, M. F., Syamsiyah, N., & Astuty, E. Y. (2019). Development wedding planner using extreme programming method. IOP Conference Series: Materials Science and Engineering, 673(1). https://doi.org/10.1088/1757-899X/673/1/012049
Purba, K. R., Asirvatham, D., & Murugesan, R. K. (2020). Classification of Instagram fake users using supervised machine learning algorithms. International Journal of Electrical and Computer Engineering, 10(3), 2763–2772. https://doi.org/10.11591/ijece.v10i3.pp2763-2772
Ramlah, Pabendon, M. B., & Daryono, B. S. (2020). Local food diversification of foxtail millet (Setaria italica) cultivars in West Sulawesi, Indonesia: A case study of diversity and local culture. Biodiversitas, 21(1), 67–73. https://doi.org/10.13057/biodiv/d210110
Rivero, P., Navarro-Neri, I., García-Ceballos, S., & Aso, B. (2020). Spanish archaeological museums during COVID-19 (2020): An edu-communicative analysis of their activity on twitter through the sustainable development goals. Sustainability (Switzerland), 12(19), 1–21. https://doi.org/10.3390/su12198224
Rizati, M. A. (2022). Bertambah lagi ini jumlah pengguna Instagram per kuartal I 2022. https://databoks.katadata.co.id/datapublish/2022/06/17/bertambah-lagi-ini-jumlah-pengguna-instagram-per-kuartal-i-2022
Safitri, R., & Ayunita, R. (2022). Suicide framing on online media in Indonesia. Jurnal Komunikasi: Malaysian Journal of Communication, 38(1), 256–269. https://doi.org/10.17576/JKMJC-2022-3801-14
Sethi, B., Williams, A., & Leung, J. L. S. (2022). Caregiving across international borders: a Systematic review of literature on transnational carer-employees. In Journal of Cross-Cultural Gerontology. Springer US. https://doi.org/10.1007/s10823-022-09468-w
Tang, F., & Li, F. (2022). The translation of otaku and transnational construction of East Asian masculinity. Cogent Arts and Humanities, 9(1). https://doi.org/10.1080/23311983.2022.2114222
Tenenboim, O. (2022). Comments, shares, or likes: what makes news posts engaging in different ways. Social Media + Society, 8(4), 205630512211302. https://doi.org/10.1177/20563051221130282
Trye, D., Keegan, T. T., Mato, P., & Apperley, M. (2022). Harnessing indigenous tweets: The Reo Māori Twitter corpus. In Language Resources and Evaluation (Vol. 56, Issue 4). Springer Netherlands. https://doi.org/10.1007/s10579-022-09580-w
Wibawa, S. C., Maspiyah, Indriyanti, A. D., Prehanto, D. R., Sumbawati, M. S., Mashudi, & Dharmayanti, D. (2019). Teaching applied: synectics application using leadership instructional on creative design subject for upgrading creativity. Journal of Physics: Conference Series, 1387(1). https://doi.org/10.1088/1742-6596/1387/1/012068
Wijaya, B. S., Anitawati, M. T., Suharyanti, & Fortunisa, A. (2022). Media brand reputation in the digital milieu: the effects of online news ethics and logic on media brand image. Jurnal Komunikasi: Malaysian Journal of Communication, 38(3), 106–125. https://doi.org/10.17576/JKMJC-2022-3803-07
Wijayanti, R. I. (2022). Selebgram Terkaya Indonesia Ini Punya Penghasilan Fantastis, Ria Ricis Rp200 Juta Per Bulan? Celebrities.id. Celebrities.id
Wu, Y. (2021). Can pop culture allay resentment? Japan’s influence in China today. Media and Communication, 9(3), 112–122. https://doi.org/10.17645/mac.v9i3.4117
Zaicovski, T. (2022). Pre-wedding traditions, matchmaking and wedding among the Old Believers of the Republic of Moldova. The Journal of Ethnology and Culturology, 31, 92–99. https://doi.org/10.52603/rec.2022.31.10
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Indah Tjahjawulan, Iwan Gunawan (Author)

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
This license allows users to:
- Share: Copy and redistribute the material in any medium or format.
- Adapt: Remix, transform, and build upon the material to create derivative works.
These freedoms are granted under the following mandatory conditions:
- Attribution (BY)
You must give appropriate credit to the original author(s) and Jurnal Desain, provide a link to the license, and indicate if any changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor (the author or the journal) endorses you or your use. When citing the work, reusers must include the article’s Digital Object Identifier (DOI) for permanent citation. - NonCommercial (NC)
You may not use the material for commercial purposes. Commercial purposes are defined as uses primarily intended for or directed towards commercial advantage or monetary compensation. For any commercial use, republication, or incorporation into commercial products, you must seek and obtain specific permission from the copyright holder(s). - No Additional Restrictions
You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Official Legal Code: For the complete and legally binding terms of this license, please refer to the official legal code: Creative Commons Attribution-NonCommercial 4.0 International Public License: http://creativecommons.org/licenses/by-nc/4.0/.







